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Vapaan Taiteen Tila /
Akusmata (Helsinki)
​
march 2018
I) photographic
representation of
Sonic experiences (momentums ),
and a division of visual cue and Sonic association
projection ( no sound )
II) graphical representation in 2D and 3D space of Pure Data objects to symbolise elements of a synthesiser
​
pen on paper / ink on wood
III)
the Sonic conscience as an analogy to a musical set,
"track experiences" gathered
from different stylistic contexts
IV)
objects ( real and on photograph ) for indicating visual representation of the Sonic term "genre"
V)
symbolic application of Japanese ink on wood referring to a Sonic analogy of noise music as an organic experience
VI)
photographic depiction of a space for reverberations of sound
referring to the layering with meaning through Sonic pieces played back in a space that makes it a venue, site, club, concert hall, ...
original: hand written
original: hand written and hand vectorised
VII)
text pieces representing Sonic terminology relating to a body as interactive / participatory tools for active listening
VIII)
visual analogy to the logic of an aesthetic non grid / loop
( independent of point in time / physical or even mediated space, pure existing apart from logic and the expected downfall of all hope and manners. Simply prevent the worst and connect the really good intentions.
Multilayered, of course. )
​
after forgetting and
re - appearing in perception, different surfaces within meaning and how to relate to it might appear.
IX)
Sonic Illustrations with
thin Sonic wires to a VR experience creating virtual space by Carlos Ortiz Ariza
ambisonics microphone
( closeup of membrane protection )
Each area of the gallery represents a cognitive aspect of Sonic perception in different perceptual aesthetic channels.
It refers to the mythical / cognitive topos of mnemosyne.
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